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Discover Dickens through his work, his home and the things that mattered to him most
This jug was once owned by Charles Dickens, then later by Annie Thomas, the heroine of this story.
Jordan Evans-Hill speaks to Christine Skelton, the author of 'Charles Dickens and Georgina Hogarth: A Curious and Enduring Relationship.'
Jordan Evans-Hill and Emma Harper discuss the fascinating friendship between Charles Dickens and Wilkie Collins.
Why was food so important to Dickens? What do his descriptions tell us about Dickens as a person? And did he really help to make turkey the most popular Christmas meat?
Was Dickens attempting to agitate for political change? What were his perceptions of the political structures of the day? And how political was 'A Christmas Carol?'
Were these figures based on real children? Why are they included in an otherwise joyful part of the story? What is Dickens trying to tell his readers through these characters?
How was 'A Christmas Carol' designed? Who drove its creation? And what does all this tell us about Dickens as a writer?
What was London really like in the 1840s? What help was available to the London poor? What was life like in the Victorian slums? And how did all of this shape Dickens's writing?
Episode One introduces us to the remarkable, little book, 'A Christmas Carol.'
This is a recipe book, written by Charles Dickens's wife, Catherine, under the pen-name 'Lady Maria Clutterbuck.'
Scrooge confronts the children 'Ignorance' and 'Want.'
Scrooge, illustrated here for the very first time, being confronted with the ghost of Jacob Marley.
A trial edition of 'A Christmas Carol' in which Dickens played with the idea of changing the font colour.
Illustration by George Cruikshank
This playbill from February 1844 advertises the very first adaptation of 'A Christmas Carol.' Discussed by Cindy, Frankie and Emma in episode one.
Letter, from Charles Dickens to Georgina Hogarth, 29 October 1868
Charles often decided to ‘tone down’ Wilkie's writing to ensure they wouldn’t offend middle-class readers.
The Mystery of Edwin Drood, 1870
There were times during Charles and Wilkie’s friendship where differing opinions on literary ideals, personal relationships, and clashing social and political views created points of contention.
The Frozen Deep, annotated by Wilkie Collins, 1866
Overture to 'The Frozen Deep,' 1857
Photograph of the Charles Dickens-Wilkie Collins Dramatic Company, 1857
Charles Dickens and Wilkie Collins were both keen performers.
Incomplete draft of 'Tom Tiddler's Gound' 1861
Joining the Household Words made Wilkie’s professional subordination to Charles official – ‘one of the satellites of Jupiter’, as a contemporary reviewer put it.
Charles Dickens often collaborated with his friend Wilkie Collins.
Here Charles lies on the grass relaxing with family and friends, including Wilkie second on the left, distinguishable by his beard.
Charles invites Wilkie to Brighton, clearly wanting his best friend to cheer him up on his special day.
Did Charles Dickens believe in ghosts? The evidence.
Ghost Stories by Charles Dickens
The Pickwick Papers synopsis
The Pickwick bicycle club.
There are a surprising amount of references to LGBT+ characters in Dickens's writings.
In this article, Lucinda Dickens Hawksley discusses one of her favourite items in the museum’s collection; a poster printed in 1866 advertising a day of “Christmas Sports at Mr Charles Dickens’s Cricket Field”.
At 48 Doughty Street we are regularly asked about how water and waste was dealt with by the Dickens family in the 1830s: Where did Dickens go to the loo? How did the family bathe? Did they have running water? This article is an attempt to address some of those questions.
In this short video, Dr Leon Litvack introduces the painting Dickens’s Dream by RW Buss (1875), the characters it depicts and its intriguing relationship to other portraits of Dickens.
In this short video, Dr Leon Litvack explores the importance of Dickens’s reading desk, on display at the Charles Dickens Museum.
In this video, join Curator Louisa Price as she shows you a woodblock of John Leech’s famous illustration, ‘Mr. Fezziwig’s Ball’ – the only illustration to be used in Dickens’s 1852 cheap edition of his Christmas stories.
In this extract, we hear Dickens’s eldest daughter Mary, affectionately known as Mamie, sharing her memories of Dickens’s studies from several family homes.
Discover more about the items displayed in this room by searching the Museum's collections database.
In this extract we hear Dickens’s eldest daughter, Mamie, recall her memories of watching Dickens at work in his study channelling his characters.
In this extract, we hear chapter two of The Bastille Prisoner, based on Book One from A Tale of Two Cities.
Discover more about the items displayed in this room by searching the Museum's collections database.